Error loading page.
Try refreshing the page. If that doesn't work, there may be a network issue, and you can use our self test page to see what's preventing the page from loading.
Learn more about possible network issues or contact support for more help.

Easily Slip into Another World

A Life in Music

Audiobook
1 of 1 copy available
1 of 1 copy available
A NEW YORK TIMES NOTABLE BOOK OF THE YEAR • An autobiography of one of the towering figures of contemporary American music and a powerful meditation on history, race, capitalism, and art.
A Best Book of the Year: The New York Times, NPR, The New Yorker

Henry Threadgill has had a singular life in music. At 79, the saxophonist, flautist, and celebrated composer is one of three jazz artists (along with Ornette Coleman and Wynton Marsalis) to have won a Pulitzer Prize. In Easily Slip into Another World, Threadgill recalls his childhood and upbringing in Chicago, his family life and education, and his brilliant career in music.
Here are riveting recollections of the music scene in Chicago in the early 1960s, when Threadgill developed his craft among friends and schoolmates who would go on to form the core of the highly influential Association for the Advancement of Creative Musicians (AACM); the year and a half he spent touring with an evangelical preacher in the mid-1960s; his military service in Vietnam—a riveting tale in itself, but also representative of an under-recognized aspect of jazz history, given the number of musicians in Threadgill’s generation who served in the armed forces.
We appreciate his genius as he travels to the Netherlands, Venezuela, Trinidad, Sicily, and Goa enriching his art; immerses himself in the volatile downtown scene in New York City in the 1970s and 1980s; collaborates with choreographers, writers, and theater directors as well as an astonishing range of musicians, from AACM stalwarts (Muhal Richard Abrams, Roscoe Mitchell, Wadada Leo Smith, and Leroy Jenkins), to Chicago bluesmen, downtown luminaries, and world music innovators; shares his impressions of the recording industry his perspectives on music education and the history of Black music in the United States; and, of course, accounts for his work with the various ensembles he has directed over the past five decades.
  • Creators

  • Publisher

  • Release date

  • Formats

  • Languages

  • Reviews

    • Publisher's Weekly

      June 12, 2023
      Pulitzer-winning composer Threadgill delivers an endearing autobiography coauthored by Columbia University English professor Edwards (Epistrophies). “All my references go back to sound. I go back in my memory, and I don’t see: I hear,” says Threadgill, who recounts a Chicago childhood surrounded by music, including radio programs, church services with his grandparents, and concerts with his mother. He began composing casually in high school, and his expulsion after getting in trouble with a “crowd of dedicated miscreants” pushed him to pursue music as a career: “It was only in my music that I felt like I had a sure sense of direction and purpose.” In his early 20s, Threadgill, who is Black, volunteered for the Vietnam War draft, and though his time overseas provided a temporary respite from “the age-old American race problem,” wartime trauma haunted much of the rest of his life. The authors strike a masterful balance between warmhearted anecdotes, such as Threadgill’s recollection of learning about classical music from his seventh grade teacher, and darker ones, including an episode in which a group of white men nearly killed him for crossing to the wrong side of the street as a teenager in Englewood. The result is an exciting glimpse into a great musical mind and a moving account of lifelong perseverance.

    • AudioFile Magazine
      Henry Threadgill has lived a rich life as a musician, having grown up immersed in the Chicago jazz scene of the 1960s and traveled the world as a versatile multi-instrumentalist and composer. Ron Butler's edgy narration captures all of the nuances in this memoir, including the author's dry humor, frustration at racial injustice, and passion for playing and composing music. All of these elements come together most compellingly in the account of Threadgill's military service in Vietnam, an experience that shaped him as a musician and as a man. The narrative shifts between memoir and manifesto, and Butler deftly handles all of the key changes, never allowing the tempo to drag. D.B. © AudioFile 2023, Portland, Maine

Formats

  • OverDrive Listen audiobook

Languages

  • English

Loading