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Believable

Traveling with My Ancestors

ebook
1 of 1 copy available
1 of 1 copy available
Named one of the Best Photo Books of the Year by Smithsonian

A stunning full-color collection of photographs, old and new, by the renowned photographer and LGBTQIA+ activist Lola Flash

Working at the forefront of genderqueer visual politics, celebrated photographer Lola Flash has become known for images that manage to both interrogate and transcend preconceptions about gender, sex, and race. Spurred by their experience as an active member of ACT UP and ART+ during the AIDS epidemic in New York City, their art is profoundly connected to their activism, fueling a lifelong commitment to visibility and preserving the legacy of queer communities, especially queer communities of color.

The seventeenth volume in a groundbreaking series of LGBTQ-themed photobooks from The New Press, Believable draws on the extraordinary body of work that Flash has created over four decades, from their iconic "Cross Colour" images from the 1980s and early 1990s to their more recent photography, which used the framework of Afrofuturism to examine the intersection of Black culture and technoculture and science fiction. Also included in the book are portraits that explore the impact of skin pigmentation on Black identity and consciousness, as well as people who have challenged traditional concepts of gender and trendsetters in the urban underground cultural scene.

In all their images, their passion for photography and their belief in the medium's ability to provide agency and freedom and initiate change shine through. For the first time, Believable brings together the remarkable work of this queer art icon.

Believable was designed by Emerson, Wajdowicz Studios (EWS).

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    • Publisher's Weekly

      January 23, 2017
      A vampire laments and an innocent child inspires in Cox’s centuries-spanning philosophical exploration of duty, guilt, and faith. In 1885 France, Father Antonio Molinari is fresh off an exorcism of a young woman. Two priests approach him, claiming to have a chained-up vampire that he can study. Horrified to learn the vampire is an eight-year-old girl, Sabine Caillouet, he becomes protective of her and even lets her feed off him. When a priest disapproves and stabs Antonio, Sabine saves him by turning him into a vampire. Thus begins the paternal love story of Antonio and his young ward, whose soul he vows to save and protect against dark temptations. As they dodge Vatican vampire-hunters and vengeful vampires, Antonio has faith that God has a plan for them, a faith he carries to America and Canada, and into the 21st century. Cox’s world is elegant, the characters are sympathetic, the vampire lore is traditional, and the writing is engaging and descriptive. However, the second half lags, themes become repetitive, and plot threads unravel. Nevertheless, vampire enthusiasts will devour this solid and emotional story.

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