Starred review from August 1, 2011
In Edgar-winner Burke's outstanding third novel featuring smalltown Texas sheriff Hackberry Holland (after Rain Gods), Hackberry joins a motley crew of killers, idealists, psychos, mobsters, and Feds in the search for Noie Barnum, a disgruntled former intelligence asset who escaped the human smugglers that were trying to sell him to al-Qaeda. Barnum finds an unexpected protector in Preacher Jack Collins, a quixotic mass murderer, whom Hackberry calls "he most dangerous man I've ever met." The richness of Burke's characters, always one of his strengths, reaches new heights, as shown particularly in Krill, a mentally scarred veteran of Central American violence driven by grief over his slaughtered children, and Cody Daniels, would-be minister and xenophobe, who undergoes a spiritual sea change during his own via crucis. The intricately plotted narrative takes numerous unexpected turns, and Burke handles his trademark themes of social justice and corruption with his usual subtlety.
July 15, 2011
Hackberry Holland's third appearance, and Burke's 30th, brings back sociopathic killer Preacher Jack Collins (Rain Gods, 2009, etc.), but this time surrounds him with so many seriously bad guys that he can scarcely get the sheriff to take his phone calls.
Danny Boy Lorca, visionary and drunk, has a wild story to tell. He witnessed a coyote pursuing two fleeing men and shooting one of them to death. The discovery of DEA informant Hector Lopez's corpse confirms the first part of Danny Boy's story. What's become of the surviving fugitive? It seems clear that the coyote was either Antonio Vargas, aka Krill, or his enthusiastic sidekick Negrito, and scarcely less clear that the man on the run is Noie Barnum, an enigmatic ex–federal employee whose knowledge of certain military secrets makes him the Holy Grail sought by the FBI's Ethan Riser, self-anointed citizen soldier Temple Dowling and Russian porn dealer Josef Sholokoff, who plans to sell his to al-Qaeda so that their members can pump him dry. But why has he taken refuge with Preacher Jack, and which of his pursuers will end up with the Grail? Before the answers to these tangled mysteries finally surface, Hackberry will rescue one of his deputies, R.C. Bevins, from darkest Coahuila; continue to fend off romantic overtures from another, Pam Tibbs; and fight his way through dozens of the kinds of conversations of the sort that Burke does better than anyone else, in which two men of action (or women of action, like homesteader/mystic Anton Ling) lunge at each other with fighting words while talking past each other completely because they're really fighting themselves.
The dialogue scenes, along with the action sequences, the South Texas landscape and the indelibly conflicted characters make you want to give Burke a medal; the tangled plot, which lurches from one great sequence to the next without going anywhere but the grave, is the price you pay for these deep pleasures.
(COPYRIGHT (2011) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)
April 1, 2011
Burke visits southwest Texas with Sheriff Hackberry Holland, last seen in 2009's Rain Gods. When alcoholic ex-boxer Danny Boy begs to be locked up in the drunk tank, though he's clearly sober, Hack and his young deputy wring a confession from him: Danny Boy has witnessed a gruesome torture killing in the desert. Hack tracks the bad guys to the home of a (predictably) mysterious Chinese woman named Anton Ling, who's either in danger--or dangerous. Burke always delivers; consider multiples.
Copyright 2011 Library Journal, LLC Used with permission.
Starred review from July 1, 2011
Bad guys in James Lee Burke's fiction tend to be very bad, human incarnations of evil, manifestations of something deep in our lizard brain, something that will not be civilized, that craves only chaos. In this latest Hackberry Holland title, starring the seventysomething reformed drunk and whoremonger, now sheriff in a small southwest Texas border town, the bad guys are still very bad, but they have become more multidimensional, human impulses at war with the lizard core. Chief among the antagonists this time is Preacher Jack Collins, Holland's nemesis, presumed dead at the end of Rain Gods (2009) but now risen from the desert, still toting the Thompson machine gun with which he attempts to exorcise a lifetime of demons. But this is anything but a mano-a-mano conflict. Holland and his chief deputy, Pam Tibbs, are tracking a disaffected Homeland Security scientist in possession of secrets that a wealth of bad guysMexican drug dealers, Russian mobsterswould happily peddle to al-Qaeda. At the center of it all is a mysterious Chinese woman, Anton Ling, who operates a kind of underground railroad for illegals but who is an object of fascination for all the principals, from Holland to Preacher Jack to a Mexican gang leader obsessed with finding a way to bless his dead children. As Burke steers the elaborately structured narrative toward its violent conclusion, we are afforded looks inside the tortured psyches of his various combatants, finding there the most unlikely of connections between the players. This is one of Burke's biggest novels, in terms of narrative design, thematic richness, and character interplay, and he rises to the occasion superbly, a stand-up guy at the keyboard, as always.(Reprinted with permission of Booklist, copyright 2011, American Library Association.)
August 1, 2011
Burke's fifth entry featuring Texas sheriff Hackberry Holland (after Rain Gods) further cements his status as one of America's greatest contemporary novelists. Hackberry and his deputy, Pam Tibbs, to whom Hack acts as both romantic interest and concerned parent, are forced to unravel a mystery involving dead bodies in the desert, a missing American scientist, and the government agencies and criminal groups searching for him. As with any Burke novel, however, the story is secondary to the characters. From a Chinese woman helping illegal immigrants cross the Texas-Mexico border, to a dying government agent with torn allegiances, to criminals of various stripes, Burke weaves a tapestry of unique characters whose widely differing motivations enrich his tale. Also playing a large role is serial killer Preacher Jack Collins, who returns to bring fear and craziness into Hackberry's life. Fittingly, a novel filled with violence concludes in a similar manner. VERDICT Though not as well known as Dave Robicheaux, Hackberry is a compelling character. This rich novel will satisfy Burke's fans and should draw new ones who have not yet had the privilege of reading his works. [See Prepub Alert, 2/28/11.]--Craig Shufelt, Fort McMurray P.L., Alta.
Copyright 2011 Library Journal, LLC Used with permission.
July 15, 2011
Hackberry Holland's third appearance, and Burke's 30th, brings back sociopathic killer Preacher Jack Collins (Rain Gods, 2009, etc.), but this time surrounds him with so many seriously bad guys that he can scarcely get the sheriff to take his phone calls.
Danny Boy Lorca, visionary and drunk, has a wild story to tell. He witnessed a coyote pursuing two fleeing men and shooting one of them to death. The discovery of DEA informant Hector Lopez's corpse confirms the first part of Danny Boy's story. What's become of the surviving fugitive? It seems clear that the coyote was either Antonio Vargas, aka Krill, or his enthusiastic sidekick Negrito, and scarcely less clear that the man on the run is Noie Barnum, an enigmatic ex-federal employee whose knowledge of certain military secrets makes him the Holy Grail sought by the FBI's Ethan Riser, self-anointed citizen soldier Temple Dowling and Russian porn dealer Josef Sholokoff, who plans to sell his to al-Qaeda so that their members can pump him dry. But why has he taken refuge with Preacher Jack, and which of his pursuers will end up with the Grail? Before the answers to these tangled mysteries finally surface, Hackberry will rescue one of his deputies, R.C. Bevins, from darkest Coahuila; continue to fend off romantic overtures from another, Pam Tibbs; and fight his way through dozens of the kinds of conversations of the sort that Burke does better than anyone else, in which two men of action (or women of action, like homesteader/mystic Anton Ling) lunge at each other with fighting words while talking past each other completely because they're really fighting themselves.
The dialogue scenes, along with the action sequences, the South Texas landscape and the indelibly conflicted characters make you want to give Burke a medal; the tangled plot, which lurches from one great sequence to the next without going anywhere but the grave, is the price you pay for these deep pleasures.
(COPYRIGHT (2011) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)