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White Hand Society

The Psychedelic Partnership of Timothy Leary & Allen Ginsberg

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1 of 1 copy available
1 of 1 copy available

In 1960 Timothy Leary was not yet famous — or infamous — and Allen Ginsberg was both. Leary, eager to expand his experiments at the Harvard Psilocybin Project to include accomplished artists and writers, knew that Ginsberg held the key to bohemia's elite. Ginsberg, fresh from his first experience with hallucinogenic mushrooms in Mexico, was eager to promote the spiritual possibilities of psychedelic use. Thus, "America's most conspicuous beatnik" was recruited as Ambassador of Psilocybin under the auspices of an Ivy League professor, and together they launched the psychedelic revolution and turned on the hippie generation.

White Hand Society weaves a fascinating and entertaining tale of the life, times and friendship of these two larger-than-life figures and the incredible impact their relationship had on America. Peter Conners has gathered hundreds of pages of letters, documents, studies, FBI files, and other primary resources that shed new light on their relationship, and a veritable who's who of artists and cultural figures appear along the way, including Jack Kerouac, William Burroughs, Thelonious Monk, Willem de Kooning, and Barney Rosset. The story of the "psychedelic partnership" of two of the most famous, charismatic and controversial members of America's counterculture brings together a multitude of major figures from politics, the arts, and the intersection of intellectual life and outlaw culture in a way that sheds new light on the dawn of the 1960s.

"Through the years City Lights has brought us seminal work by Allen Ginsberg, Gregory Corso, and now, this detail-rich double bio of Allen Ginsberg and Timothy Leary. I knew both these men pretty well, and the times intimately, and Peter Conners has been true to it all. I don't know how he amassed the trunks of data he must have used to find the jillions of details which were new to me, but I'm certainly glad that he did. This book wins a well deserved spot on my shelf, and belongs with anyone who wants an intimate view of the Sixties-Seventies spinning of the Great Wheel of the Dharma." —Peter Coyote, actor/author, Sleeping Where I Fall

"Peter Conners has given us a wondrous tale of picaresque adventure and authentic friendship – between Leary the trickster-explorer-scientist and Ginsberg the activist-bard-philosopher, two seminal figures who pioneered new pathways through the cultural maelstrom of the sixties."—Ralph Metzner, co-author, with Ram Dass & Gary Bravo, of Birth of a Psychedelic Culture

"The Psychedelic Revolution of the Sixties began with the meeting of two visionary explorers into the unmapped regions of inner consciousness — Timothy Leary and Allen Ginsberg. In the White Hand Society Peter Conners charts the course from the earliest dirt roads of laughing gas to the superhighways of LSD in one compelling story. It is a thrilling ride on what Ginsberg called the Trackless Transit System, going where no one else had dared venture. Take this as a new kind of guidebook into the mystery of the mind." —Bill Morgan, author of Beat Atlas: A State by State Guide to the Beat Generation in America and The Typewriter Is Holy: The Complete, Uncensored History of the Beat Generation

"Peter Conners' White Hand Society is a gripping account of a key event in 20th Century history, the decision to actively promote strong psychedelics to the population at large. Conners tells the Timothy Leary story from the traditional perspective of the West Coast counterculture, but he emphasizes the egalitarian influence that the Beat movement had on him and, in particular, the huge Blakean personality of Allen Ginsberg....

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    • Publisher's Weekly

      October 11, 2010
      In 1960, Allen Ginsberg, high on William Blake and the resounding success of his epic poem, Howl, met Timothy Leary, the new Harvard psychologist eager to convince the world that getting high on psychedelic drugs could soothe the savage beast in the human heart. Conners (Growing Up Dead: The Hallucinated Confessions of a Teenage Deadhead) splendidly brings these two mavericks back to life as he chronicles that first meeting at Leary's house and traces their growing bond as they built the bridges between the "holy trinity" (Albert Hofmann, the father of psychedelics; Aldous Huxley; and William Blake) of visionary consciousness expansion and the 1960s psychedelic movement. Along the way, we glimpse all the familiar faces of the 1960s psychedelic era—Ken Kesey and the Merry Pranksters, who conducted their own acid tests; Jack Kerouac; William Burroughs; and Neal Cassady, among others. As Conners keenly observes, Ginsberg gave Leary entrée to the influential world of artistic America, and Leary gave Ginsberg an opportunity to expose America to powerful hallucinatory visions. Conners records Ginsberg and Leary's long, strange trip, from their earliest experiments with psilocybin to their deaths in the late 1990s.

    • Kirkus

      October 1, 2010

      A full account of the two 1960s icons who made it their cause to launch the psychedelic age.

      BOA Editions editor Conners (Growing Up Dead: The Hallucinated Confessions of a Teenage Deadhead, 2009, etc.) begins with sketches of his subjects' early years, then moves to 1960, when they met. By then, Ginsberg was the famous symbol of the Beat generation, open about both drugs and sexuality. Leary, a Harvard instructor, had begun using mescaline to research schizophrenia and other mental illnesses. Another Harvard psychologist introduced the two, thinking Leary might find the poet an interesting subject. Each was convinced of the importance of psychedelics, and the two had complementary strengths: Ginsberg's wide connections in the artistic world and Leary's cachet as a Harvard researcher. In November 1960, they created a plan to spread the gospel of psychedelics. Letters went out to writers, jazz musicians, artists and others who might try the drugs and spread the word. But Leary underestimated how straight society would react as Harvard, then the world at large, became aware of his drug sessions. Losing his job in a blaze of publicity, Leary went on the road in his new role as prophet of LSD. Meanwhile, Ginsberg was pursuing mystical paths to enlightenment in India. They grew apart as the '60s played out—Leary as the leading advocate of a drug-fueled counterculture, Ginsberg as an advocate of peace and social change. Leary increasingly became the target of busts and persecution, and eventually went to prison in California. After escaping, he fled overseas, but was recaptured and served hard time until he turned state's evidence to gain his freedom. The two men were never really close thereafter, but their paths crossed from time to time, surrounded by a cast of characters ranging from Ken Kesey to G. Gordon Liddy.

      Conners sometimes falls into hero worship, especially of Ginsberg, and the time frame is occasionally unclear, but he provides an entertaining overview of an era whose echoes still ring.

      (COPYRIGHT (2010) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)

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