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The Saddest Words

William Faulkner's Civil War

Audiobook
2 of 2 copies available
2 of 2 copies available
How do we read William Faulkner in the twenty-first century? asks Michael Gorra, one of America's most preeminent literary critics. Should we still read William Faulkner in this new century? What can his works tell us about the legacy of slavery and the Civil War, that central quarrel in our nation's history? These are the provocative questions that Michael Gorra asks in this historic portrait of the novelist and his world. Born in 1897 in Mississippi, Faulkner wrote such iconic novels as Absalom, Absalom! and The Sound and the Fury, creating in Yoknapatawpha County the richest gallery of characters in American fiction, his achievements culminating in the 1949 Nobel Prize in Literature. But given his works' echo of "Lost Cause" romanticism, his depiction of black characters and black speech, and his rendering of race relations in a largely unreconstructed South, Faulkner demands a sobering reevaluation. Interweaving biography, absorbing literary criticism, and rich travelogue, The Saddest Words recontextualizes Faulkner, revealing a civil war within him, while examining the most plangent cultural issues facing American literature today.
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    • Publisher's Weekly

      Starred review from September 14, 2020
      Smith College English professor Gorra (Portrait of a Novel) examines the Civil War as the “all-determining absence” at the center of William Faulkner’s life (1897–1962) and work in this immersive and enlightening account. Blending history, travelogue, biography, and literary analysis, Gorra treats the Yoknapatawpha novels and stories as a “single enormous text” spanning the 1830s to the 1930s, and moves back and forth between Faulkner’s fictional universe and real-world events during the same time frame. Gorra visits the battlefield at Gettysburg to walk the path of Pickett’s Charge, notes that Faulkner’s most fecund period (from the late 1920s to the early 1940s) coincided with “the heights of Confederate hagiography,” and finds parallels between W.E.B. Du Bois’s views on race and Reconstruction and those expressed in Faulkner’s fiction. Gorra sees characters including Ike McCaslin, Bayard Sartoris, and Quentin Compson as reflective of Faulkner’s personal attempts to reconcile his Southern heritage with his rejection of the principles behind slavery, though he remains clear-eyed about the novelist’s “incoherence” on the civil rights movement. Fluidly written, expertly researched, and brilliantly conceived, this is an essential reckoning with Faulkner’s art and the legacy of the Civil War.

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  • OverDrive Listen audiobook

Languages

  • English

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