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Un-American

ebook
1 of 1 copy available
1 of 1 copy available

2021 PEN Open Book Finalist
2021 NAACP Image Award Finalist, Poetry
2021 Brooklyn Public Library Literary Prize, Longlist

Dancing between lyric and narrative, Hafizah Geter's debut collection moves readers through the fraught internal and external landscapes—linguistic, cultural, racial, familial—of those whose lives are shaped and transformed by immigration. The daughter of a Nigerian Muslim woman and a former Southern Baptist black man, Geter charts the history of a black family of mixed citizenships through poems imbued by migration, racism, queerness, loss, and the heartbreak of trying to feel at home in a country that does not recognize you. Through her mother's death and her father's illnesses, Geter weaves the natural world into the discourse of grief, human interactions, and socio-political discord. This collection thrums with authenticity and heart.

SAMPLE POEM

Testimony
for Tamir Rice, 2002-2014

Mr. President,
After they shot me they tackled my sister.
The sound of her knees hitting the sidewalk
made my stomach ache. It was a bad pain.
Like when you love someone
and they lie to you. Or that time Mikaela cried
all through science class and wouldn't tell anyone why.
This isn't even my first letter to you,
in the first one I told you about my room
and my favorite basketball team
and asked you to come visit me in Cleveland
or send your autograph. In the second one
I thanked you for your responsible citizenship.
I hope you are proud of me too.
Mom said you made being black beautiful again
but that was before someone killed Trayvon.
After that came a sadness so big it made everyone
look the same. It was a long time before we could
go outside again. Mr. President it took one whole day
for me to die and even though I'm twelve and not afraid of the dark
I didn't know there could be so much of it
or so many other boys here.

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  • Reviews

    • Publisher's Weekly

      Starred review from June 15, 2020
      Geter’s vivid debut invokes the pain of familial dislocation, illness, and death, exacerbated by the twin plagues of xenophobia and racism. The marriage of Geter’s parents (a Nigerian Muslim woman and a former Southern Baptist black man) saw her family move from Africa to various inhospitable locations in the U.S.: “my father leans down the barrel of a shotgun/ house/ and looks in both directions.” “Lesson one: there’s no god/ in Alabama,” Geter writes in “Alabama Parable.” Many of the narratives are moving, and the mother-daughter dynamic is central to the collection: “In America, no one would say her name/ correctly. I watched it rust/ beneath the salt of so many.” There is joy to be found in Muslim prayer and the Hausa language, but every blessing has an underside: Nigeria is “the land where my family will ask/ why I haven’t a husband.” Racism is addressed in poems recounting the murders of Eric Garner, Tamir Rice, and Michael Brown, and personal compulsions offer their own dangers: “I’ve always been/ attracted to little/ violences.” It is this violence, captured in rich, musical language, that command such power.

    • Library Journal

      September 1, 2020

      The Nigerian-born daughter of a Nigerian Muslim and a Black Southern Baptist, Geter portrays life at a familial, cultural, and religious crossroads in language that's forthright, affecting, and ringingly lucid, with nail-sharp turns of phrase (her aunts have "smiles hard/ as Baptist pews"). The pain and complexities of Geter's upbringing are immediately evident ("We have so many gods/ and none of them/ can be trusted"), and Geter is excellent at capturing her mother's frustration as she moves from Africa to America ("At night, she prayed to Allah/ for something from America that was more/ than children"). Throughout, Geter portrays her father's struggle with life's indignities and the tragedy of her mother's death from an aneurysm while offering her own challenge to American racism in testimonies to murdered Blacks like Sandra Bland and Eric Garner. Finally, she declares, "My grass-stained knees pledge allegiance/ to a country that belongs to no one I love." VERDICT An eye-opening story of immigration--and of America; for most collections.

      Copyright 2020 Library Journal, LLC Used with permission.

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Languages

  • English

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