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Everything Must Go

The Life and Death of an American Neighborhood

ebook
1 of 1 copy available
1 of 1 copy available
A unique artistic tribute to a Chicago neighborhood lost to gentrification: “Kevin Coval made me understand what it is to be a poet” (Chance the Rapper, Grammy winner and activist).
 
Everything Must Go is an illustrated collection of poems in the spirit of a graphic novel, a collaboration between poet Kevin Coval and illustrator Langston Allston. The book celebrates Chicago’s Wicker Park in the late 1990s, Coval’s home as a young artist, the ancestral neighborhood of his forebears, and a vibrant enclave populated by colorful characters.
 
Allston’s illustrations honor the neighborhood as it once was, before gentrification remade it. The book excavates and mourns that which has been lost in transition and serves as a template for understanding the process of displacement and reinvention currently reshaping American cities.
 
“Chicago’s unofficial poet laureate.” —NPR
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    • Booklist

      Starred review from September 15, 2019
      Coval (A People's History of Chicago, 2017) rhapsodizes about his hometown of Chicago in this latest poetry collection. Accompanied by Langston Allston's illustrations, this series of profiles, vignettes, and discursive rants present a time capsule of late-1990s Chicago, when Coval returned to his family's old neighborhood in Wicker Park to settle and make a life of his own. A Portrait of the Artist in the Hood expresses the poet's inner conflict about moving back: what does it mean when we appear / the children of white flight / back / again . In laments over gentrification, Coval speaks for his neighbors and a neighborhood that slowly and detrimentally changes over time. Progressive anthems spring up, hailing the rewards of difficult, service-oriented work as in "Caf� Matou," which sonorously describes each staff member and their impact on the poet's life and "Ode to the Waitress," which showers idiosyncratic compliments to all who have waited on him. Coval's poems are accessible even as the references are personal, and Allston's drawings strengthen the connection. Chicago, in all its breaking and rebuilding, is portrayed honestly here and with a touch of hope.(Reprinted with permission of Booklist, copyright 2019, American Library Association.)

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  • English

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