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False Calm

A Journey Through the Ghost Towns of Patagonia

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2 of 2 copies available
2 of 2 copies available

"A bold, beautiful book."—The New York Times

"A marvelous chronicle."—Publishers Weekly

Part reportage, part personal essay, part travelogue, False Calm is the breakout work by Argentinian author María Sonia Cristoff. Writing against romantic portrayals of Patagonia, Cristoff returns home to chronicle the ghost towns left behind by the oil boom. In prose that showcases her sharp powers of observation, Cristoff explores Patagonia's complicated legacy through the lost stories of its people and the desolate places they inhabit.

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    • Publisher's Weekly

      June 25, 2018
      “Isolation is present in everything I have found written about Patagonia,” Argentinian author Cristoff writes at the beginning of this marvelous chronicle of her sojourn in the remote, vast region, where one “could walk and walk but still remain in the same place.” The “ghost towns” she visits—El Cain, Cañadón Seco, Las Heras, among others—lie at almost the literal end of the Earth. But the true isolation here is psychological: the book’s strength lies not in descriptions of the places Cristoff visits but in its portraits of the people she meets. There is Martina, an unpublished novelist abandoned as a young child and married to an abusive singer at 16, who leaves her husband after discovering his affair with her own mother and takes up gambling because she enjoys “seeing, for the first time, that men were like defenseless creatures around those smoke-filled tables.” Most memorable is gardener and self-declared telepath Sandra, who is convinced that a teen suicide epidemic in Las Heras is the work of a secret cabal conducting mind-control experiments. These sharply observed essays prove that while the landscape of Patagonia may be desolate, it also teems with human fears, aspirations, and love.

    • Kirkus

      August 15, 2018
      Modern life in the barren foothills of South America, as told by a journalist working from a deeply subconscious perspective.Possession--both physical and literary--is at the heart of this newly translated 2005 work by Argentinean author Cristoff. Her place is Patagonia, the storied, once-thriving region located in both Argentina and Chile, where the end of the 1990s oil boom left a trickle-down effect of economic misery. Her approach is to become a ghost, to inhabit the lives of the people left behind, to see through their eyes an upended world in which mental illness, suicide, and orphans have become the norm. "The stories came to me," she writes, "the atmosphere used me as a ventriloquist." Style is perfectly suited to subject; she travels in a land where real meets surreal and curses, superstition, myth, and mysticism are woven into the fabric of everyday life. We meet Leon, a formerly prosperous merchant owner who now deals with schizophrenia and his wife's tuberculosis, which may have been caused by environmental contamination. "But anyway, here, where there are more dogs than people, who's going to take the trouble to think about citizens and their rights. They barely even admit that there are people," writes Cristoff. There is also Francisco, a former pilot who now does little more than putter around in his shop. The longest and most impressive story belongs to Martina, whose life of suicide attempts and abuse grows to a quietly powerful conclusion when she meets the father who abandoned her. In Las Heras, the town that "defined Patagonia as a place akin to the netherworld," a rash of teen suicides puts Cristoff in touch with Sandra, a psychic who becomes increasingly lost in her own troubled world.Unique, imaginative, and unnerving, this is travel literature with a magical realist touch.

      COPYRIGHT(2018) Kirkus Reviews, ALL RIGHTS RESERVED.

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