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Fado and Other Stories

ebook
1 of 1 copy available
1 of 1 copy available
• Winner of the 1997 Drue Heinz Literature Prize This collection is filled with narrative and character grounded in the meaning and value the earth gives to human existence. In one story, a woman sleeps with the village priest, trying to gain back the land the church took from her family; in another, relatives in the Azores fight over a plot of land owned by their expatriate American cousin. Even apparently small images are cast in terms of the earth: Milton, one narrator explains, has made apples the object of a misunderstanding by naming them as Eden's fruit: "In the Bible, no fruit is named in the Garden of Eden - and to this day apples are misunderstood. They were trying to tempt people not into sin but into listening to the earth more closely. . . . their white meal runs wet with the knowledge of the language of the land, but people do not listen."Vaz's beautiful, intensely conscious language often delicately slips her stories into the realm of the <i>fado</i>, the Portuguese song about fate and longing. "Listen for the nightingale that presses its breast against the thorns of the rose," on character sings, "that the song might be more beautiful." Such a verse might describe Vaz's own motive behind her willingness to confront her subject's ambiguities and her characters' conflicts - the simultaneous joy and sorrow of some of life's discoveries, the pain sometimes hidden within passion and pleasure.
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    • Library Journal

      October 1, 1997
      Vaz, the winner of this year's Drue Heinz Literature Prize, believes that "stories keep us alive." Perhaps that is what gives the 12 tales in this work such urgency. Old world meets new as the book explores Portuguese American identity in places as disparate as Hawaii, California, and the Azores. "In My Hunt for King Sebastiao," Dean travels from America to Portugal to settle some family business. Along the way, he uncovers a number of long-hidden secrets. While despair is tempting, Dean refuses to give in to anger or depression. "Hope," he discovers, "is the most supreme form of defiance." Similarly, in "Undressing the Vanity Dolls," Reginald learns to let go of resentment so he can enjoy the company of a former mentor. Life's lessons are woven into many of these stories, but Vaz's touch is always light, suffused with reverence for whimsy and weird, serendipitous occurrences. Encounters with magic--sights, sensations, and sounds that cannot be rationally explained--give the book an unusual spark. Throughout, things of the spirit collide with material reality and tantalize those in their orbit, with satisfying results.--Eleanor J. Bader, New Sch. for Social Research, New York

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  • English

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