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Wolves Eat Dogs

Audiobook
1 of 1 copy available
1 of 1 copy available
A Moscow detective is sent to Chernobyl for a frightening case in the most spectacular entry yet in Martin Cruz Smith's Arkady Renko series.
In his groundbreaking Gorky Park, Martin Cruz Smith created an iconic detective of contemporary fiction. Quietly subversive, brilliantly analytical, and haunted by melancholy, Arkady Renko survived, barely, the journey from the Soviet Union to the New Russia, only to find his transformed nation just as obsessed with corruption and brutality as was the old Communist dictatorship.

In Wolves Eat Dogs, Renko returns for his most enigmatic and baffling case yet: the death of one of Russia's new billionaires, which leads him to Chernobyl and the Zone of Exclusion—closed to the world since 1986's nuclear disaster. It is still aglow with radioactivity, now inhabited only by the militia, shady scavengers, a few reckless scientists, and some elderly peasants who refuse to relocate. Renko's journey to this ghostly netherworld, the crimes he uncovers there, and the secrets they reveal about the New Russia make for an unforgettable adventure.
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  • Reviews

    • AudioFile Magazine
      We're in modern Moscow--swimming in color, all neon and bling. But with high times and towers of glass come high stakes, and when a pillar of new capitalism plummets 10 flights from his opulent digs to the pavement below, it brings Smith's gloomy, lovelorn hero, Arkady Renko, onto the case. Then another body--one of the tycoon's associates--turns up near Chernobyl, mangled and ravaged by wolves. What gives? And what's happening in the toxic villages in the reactor's environs? The ensuing plot is compelling, but so, too, are the descriptions of the wasteland and the empty lives that are the detritus of the nuclear disaster. Ron McLarty narrates the story with power and care, conveying both the images of the ruined landscape of the "zone of exclusion" and, with subtle accenting, the worn-out spirits of its inhabitants. M.J.B. (c) AudioFile 2005, Portland, Maine
    • Publisher's Weekly

      Starred review from September 6, 2004
      A starred review indicates a book of outstanding quality. A review with a blue-tinted title indicates a book of unusual commercial interest that hasn't received a starred review.

      WOLVES EAT DOGS
      Martin Cruz Smith
      . Simon & Schuster
      , $25.95 (352p) ISBN 0-684-87254-4

      Smith's melancholy, indefatigable Senior Investigator Arkady Renko has been exiled to some bitter venues in the past—including blistering-hot Cuba in Havana Bay
      and the icy Bering sea in Polar Star
      —but surely the strangest (and most fascinating) is his latest, the eerie, radioactive landscape of post-meltdown Chernobyl. Renko is called in to investigate the 10-story, plunge-to-the-pavement death of Pasha Ivanov, fabulously wealthy president of Moscow's NoviRus corporation, whose death is declared a suicide by Renko's boss, Prosecutor Zurin. Renko, being Renko, isn't sure it's suicide and wonders about little details like the bloody handprints on the windowsill and the curious matter of the closet filled with 50 kilos of salt. And why is NoviRus's senior vice-president Lev Timofeyev's nose bleeding? Renko asks too many questions, so an annoyed Zurin sends him off to Chernobyl to investigate when Timofeyev turns up in the cemetery in a small Ukrainian town with his throat slit and his face chewed on by wolves. The cemetery lies within the dangerously radioactive 30-kilometer circle called the Zone of Exclusion, populated by a contingent of scientists, a detachment of soldiers and those—the elderly, the crooks, the demented—who have sneaked back to live in abandoned houses and apartments. The secret of Ivanov and Timofeyev's deaths lies somewhere in the Zone, and the dogged Renko, surrounded by wolves both animal and human, refuses to leave until he unravels the mystery. It's the Zone itself and the story of Chernobyl that supplies the riveting backbone of this novel. Renko races around the countryside on his Uralmoto motorcycle, listening always to the ominous ticking of his dosimeter as it counts the dangerous levels of radioactivity present in the food, the soil, the air and the people themselves as they lie, cheat, love, steal, kill and die. Agent, Knox Burger. 7-city author tour.

    • AudioFile Magazine
      Smith's latest Arkady Renko book, a solid mystery centering on Chernobyl, gives fascinating information about the disaster and what the area is like now. Henry Strozier's voice is perfect for the story: dark-toned, gravelly, with an edge of worldly wise sardonicism that never becomes unsympathetic or despairing, just like aging Moscow cop Renko. Strozier strikes the right note of wistful cynicism and humorous weariness, imbued with Renko's essential decency and doggedness. However, Strozier is not strong at different voices; while one always knows who's speaking, better differentiation would improve the listener's experience. But Renko's tone is his alone. The bottom line: Some people simply have voices you want to listen to, and Strozier is one. W.M. (c) AudioFile 2005, Portland, Maine
    • Publisher's Weekly

      January 3, 2005
      Tenacious Senior Investigator Arkady Renko is on another tough case, and this time even the air is dangerous. He is a man of few words and little nonsense, whose vulnerable heart and dogged temerity are his weaknesses. Smith's old-school Soviet detective, introduced in 1981's Gorky Park
      , isn't one to let a trail go cold. After being called off a suspicious suicide case, he is sent to the "Zone of Exclusion" (the site of the Chernobyl nuclear accident) to investigate a tangential case. The Zone, where Renko's dosimeter constantly ticks at the amount of deadly radiation that pollutes everything, is occupied by scientists, eccentrics and old folks who have crept back into the ghost towns to live outside society. McLarty's naturally husky voice is well suited to the surly-yet-soft Renko, and his straightforward reading is fittingly raw for a tale where a shroud of bleakness taints even love affairs. With a voice like a keyed-down Don La Fontaine (the ubiquitous voiceover artist famous for the line, "In a world beyond imagination..."), McLarty's hearty, slightly raspy bass strikes an appropriate tone for the dangerous netherworld of post-Soviet Russia. His subtle variances and accents are practically unnoticeable, which is as it should be. Simultaneous release with the S&S hardcover. (Forecasts, Sept. 6, 2004).

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